If you are a professional who needs the last word in reliable reference monitoring in a compact form, then the PMC6 active two-way is the answer.

The PMC6 is packed with innovation and providing the same sonic signature as our renowned larger monitors, it’s ideal for smaller control rooms or for use in larger immersive systems, where its astounding resolution allows critical mix decisions to be made with absolute confidence.

With 20mm of excursion, the bespoke 6-inch bass driver is designed specifically to integrate with our latest ATL™ bass-loading and Laminair™ airflow technologies. The combination outperforms most 8-inch monitors, offering unparalleled bass extension, headroom, dynamics, and low distortion at all levels. The high end is courtesy of a one-inch precision-built fabric soft-dome tweeter, with a shallow waveguide that creates wide, tonally consistent dispersion and rock-solid imaging. Both the bass and treble drivers are precisely and individually controlled by a pair of 200W ultra-low-distortion, high-damping-factor Class-D amplifiers.

Whether in portrait or landscape placement, the PMC6’s sophisticated DSP engine automatically adjusts the crossover, ensuring optimum tonal accuracy, phase and imaging.

The monitor can be calibrated using the rear-panel controls or with PMC’s intuitive browser-accessible SoundAlign™ software.
The PMC6 can be upgraded by adding a PMC8 SUB to create a full-range, free-standing PMC6 XBD system. Activating the ‘XBD’ DSP mode ensures the perfect marriage of the two units, creating a clean LF extension down to 25Hz.

  • Active 2-way nearfield reference monitor with ATL™ bass loading
  • Frequency response: 39Hz - 25kHz (- 3dB @1m full space, on-axis)
  • Max. cont. SPL: 106dB @1m (half space value calculated as +3dB from full space measurement.
    Un-weighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)
  • State-of-the-art Class-D amplifiers: HF 200W, LF 200W
  • Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate)
  • Digital ‘through’ output (AES3 24-bit 96kHz)
  • SoundAlign™ network control interface for single or group EQ & settings
  • Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
  • Automatic portrait/landscape placement DSP correction
  • PMC6 + PMC8 SUB creates PMC6 XBD, with LF down to 25Hz
  • Ceiling-mount yoke allows suspension in multi-channel or immersive systems
Type: Active 2-way nearfield reference monitor with ATL™ bass loading
Drive Unit Complement:
LF PMC 150mm (6”) studio 6 driver
HF PMC 27mm (1”) soft dome tweeter
Effective ATL™ Length: 1.8m (5.9ft)
Frequency Response: 39Hz - 25kHz (- 3dB) (@1m full space, on-axis)
Sensitivity: +4dBu input signal = 98dB SPL @ 1m Max continuous SPL : 106dB @1m

(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)
Max Peak SPL : 118dB @1m

(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)
Directivity:
H +/-60 degrees
V +50/-40 degrees (-6dB off axis @10kHz)
Input : XLR switchable between analogue & digital AES3
Analogue input
- +20/+24dBu max. input level (selectable)
- 22K ohm input impedance
Digital input
- 16/24-bit AES3 signal, left, right or left + right
- 18 - 192kHz sample rate
- 110 ohm input impedance
Expansion card slot
- For future connectivity upgrades
Ouput : XLR digital AES3 (fixed 24-bit @ 96kHz)
Network : RJ45 for use with PMC SoundAlign web interface
Features : Level Trim (+/-10dB)
Orientation (portrait, landscape, auto)
High-pass filter (20 - 200Hz, 12dB/Oct)
Delay (0 - 30mS) Phase (normal or inverted)
LF & HF shelving filters (20Hz - 20kHz, +/- 10dB, Q 0.707)
Parametric EQ (5 bands, 20Hz - 20kHz, +/- 10dB)
User presets (3 + factory defaults)
Latency : 2.4mS
Amplifier Power per Channel:
LF 1 x 200Wrms
HF 1 x 200Wrms
Mains : 100 - 240VAC auto-switching, 50-60Hz (IEC C14)
Power consumption (idle) : 35W
Power consumption (max) : 400W
Dimensions:

Cabinet dimensions Portrait

H 400mm (15.7”)

W 215mm (8.5”)

D 372mm (14.6”)

Cabinet dimensions Landscape

H 215mm (8.5”)

W 400mm (15.7”)

D 372mm (14.6”)

Weight: 11.1kg (24.4lbs) each
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"I can’t believe how much better these speakers sound than any other speaker I’ve heard. The only speakers that sound better than the PMC’s I own are the PMC’s I can’t afford yet. "
Mr J, Glendale
"While early in their new home, my PMC 6’s have been a demonstrably better experience than all previous near-field reference monitors I have owned. There was an immediate improvement in the availability and presence of “depth” as well as being a massive improvement in frequency separation across the spectrum. It is meaningfully easier to identify problem areas and address them equitably and in a way that is translatable to other formats and systems. As importantly, they still feel fun while doing so. "
Mr D, Glendale
"The detail and clarity in these speakers is unbelievable! They perform as well as high end ATC SCM100 ASL with a much smaller footprint, and less than a quarter of the price, Truly incredible!! "
Mr R, Vancouver
"Well, I need to mix on them a little while before I can give an honest opinion but so far so good. I think some great improvements were made from the two two series moving on to this series. The stereo field seems like it has more depth to me. Tighter bass than before and the LCD screen for setting up parameters is excellent. Really love that it’s so easy to scroll through the menu. Same great sound as before. Looking forward to creating some great mixes on them. "
Mr J, Los Angeles
"Early days, but so far they sound fantastic! "
Mr S, Tipton
"These are easily the best monitors I’ve ever owned. They are so clinical and 3D that I only wish I had enough money to by the 3-ways. "
Mr K, Portland

Customer Reviews

"I can’t believe how much better these speakers sound than any other speaker I’ve heard. The only speakers that sound better than the PMC’s I own are the PMC’s I can’t afford yet. "
Mr J, Glendale
"While early in their new home, my PMC 6’s have been a demonstrably better experience than all previous near-field reference monitors I have owned. There was an immediate improvement in the availability and presence of “depth” as well as being a massive improvement in frequency separation across the spectrum. It is meaningfully easier to identify problem areas and address them equitably and in a way that is translatable to other formats and systems. As importantly, they still feel fun while doing so. "
Mr D, Glendale
"The detail and clarity in these speakers is unbelievable! They perform as well as high end ATC SCM100 ASL with a much smaller footprint, and less than a quarter of the price, Truly incredible!! "
Mr R, Vancouver
"Well, I need to mix on them a little while before I can give an honest opinion but so far so good. I think some great improvements were made from the two two series moving on to this series. The stereo field seems like it has more depth to me. Tighter bass than before and the LCD screen for setting up parameters is excellent. Really love that it’s so easy to scroll through the menu. Same great sound as before. Looking forward to creating some great mixes on them. "
Mr J, Los Angeles
"Early days, but so far they sound fantastic! "
Mr S, Tipton
"These are easily the best monitors I’ve ever owned. They are so clinical and 3D that I only wish I had enough money to by the 3-ways. "
Mr K, Portland

OPTIONS & UPGRADES

upgrade
The PMC8 SUB is a true low-frequency reference monitor which extends the bass response of your speaker system.
Add a Sub
upgrade
Adding a PMC8 SUB unit to the PMC6 easily upgrades the system to a twin-cabinet XBD monitor system. Find out more!
Extend to XBD
Watch

Sony Music 5020

History, record breaking studio & team

Andy Meyer

Front of House Mixer

David Rideau

MIXER, ENGINEER & PRODUCER ON THE PMC6

THE SOUNDALIGN INTERFACE

TAKE CONTROL

SOUNDALIGN digital interface
soundalign devices
The SoundAlign™ web interface is a simple and intuitive means of controlling and configuring our nearfield and midfield active monitors and subwoofers. Each monitor incorporates an internal web server accessible over a standard wired Ethernet connection using a web browser on any smartphone, tablet, PC, or Mac. It makes set-up easy, whether it’s stereo or the most complex immersive system.
ABOUT SOUNDALIGN
One of the keys to our legendary natural, uncoloured sound is our Advanced Transmission Line (ATL) bass-loading. ATL uses energy generated by the bass unit in a much more intelligent and efficient way than speaker designs based on ported or sealed boxes. Our Laminair airflow technology further enhances ATL and improves definition, timing and eradicates unwanted air noise.
ABOUT ATL & LAMINAIR
PMC 6 ATL Cutaway
Conventional monitors have narrow dispersion which restricts the width of the accurate listening area
standard dispersion
PMC monitors have wide dispersion to provide accurate sound across the widest possible listening area
PMC wide dispersion

WIDE DISPERSION

All PMC monitors have ultra-wide dispersion and a linear off-axis response. This creates a vast sweet spot for stereo and a seamless sound field for immersive formats, allowing sounds to be placed and adjusted with complete precision.

OUR STUDIO FAMILY

PMC 6 Gallery Image
PMC 6 Gallery Image
PMC 6 Gallery Image
PMC 6 Gallery Image
PMC 6 Gallery Image
PMC 6 Gallery Image
PMC 6 Gallery Image
PMC 6 Gallery Image
PMC 6 Gallery Image