A serious near/midfield monitoring tool that fits easily within any control room or immersive system, the PMC6-2 is unmatched in its outstanding clarity, forensic resolution, and sheer impact.

The PMC6-2 provides main-monitor scale, depth, and dynamics, and allows mix decisions to be made quickly, with absolute certainty and without fatigue.

This 3-way active monitor speaker combines two custom 6-inch ultra-long-throw bass-drivers with our radically engineered PMC55 2-inch soft-dome mid-range unit and a precision-built one-inch soft-dome tweeter. The PMC55’s distinctive ‘N-compass’ waveguide enhances the wide dispersion and remarkable mid-range projection of the driver; in combination with the high performance of the tweeter, the result is an ultra-wide and stable image, with a smooth and natural in-room response. Each bass driver is individually powered by a cutting-edge 400W Class-D amplifier and seamlessly integrated by our sophisticated, highly accurate DSP-based crossovers. As with the PMC6, the monitor is configured using rear-panel controls or the browser-based SoundAlign™ software, with comprehensive boundary and EQ options.

The PMC6-2 offers astonishing size-to-performance ratio thanks to its ATL™ bass-loading technology, which results in exceptional LF extension and consistent tonal balance at all listening levels. Our Laminair™ airflow technology, visible in the monitor’s hexagonal vent ducts, further reduces colouration and enhances dynamics and efficiency.

A simple upgrade path converts the PMC6-2 to a full-range XBD system; just add a PMC8.2 SUB and select XBD mode to perfectly dovetail the two units, extending the response down to 25Hz with additional headroom.

  • Active 3-way nearfield reference monitor with ATL™ bass loading
  • Frequency response: 33Hz - 25kHz (- 3dB @1m full space, on-axis)
  • Max. cont. SPL: 109dB @1m (Half space value calculated as +3dB from full space measurement.
    Un-weighted input,20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)
  • State-of-the-art Class-D amplifiers: HF 400W, MF 400W, LF 2x 400W
  • Analogue / AES3 digital input (16/24-bit, 18 -192kHz sample rate)
  • Digital ‘through’ output (AES3 24-bit 96kHz)
  • SoundAlign™ network control interface for single or group EQ & settings
  • Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
  • PMC6-2 + PMC8-2 SUB = PMC6-2 XBD, with LF down to 25Hz & increased headroom
  • Ceiling-mount yoke allows suspension in multi-channel or immersive systems
Type: Active 3-way nearfield reference monitor with ATL™ bass loading
Drive Unit Complement:
LF 2 x PMC 150mm (6”) studio 6 drivers
MF PMC 55mm (2”) soft dome mid-range
HF PMC 27mm (1”) soft dome tweeter
Effective ATL™ Length: 2m (6.6ft)
Frequency Response: 33Hz - 25kHz (- 3dB) (@1m full space, on-axis)
Sensitivity: +4dBu input signal = 98dB SPL @ 1m Max continuous SPL : 109dB @1m

(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)
Max Peak SPL : 121dB @1m

(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration)
Directivity:
H +/-50 degrees
V +60/-40 degrees (-6dB off axis @10kHz)
Input : XLR switchable between analogue & digital AES3

Analogue input

- +20/+24dBu max. input level (selectable)
- 22K ohm input impedance

Digital input

- 16/24-bit AES3 signal, left, right or left + right
- 18 - 192kHz Sample Rate
- 110 ohm input impedance

Expansion card slot

- For future connectivity upgrades
Ouput : XLR digital AES3 (fixed 24-bit @ 96kHz)
Network : RJ45 for use with PMC SoundAlign web interface
Features : Level Trim (+/-10dB)
High-pass filter (20 - 200Hz, 12dB/Oct)
Delay (0 - 30mS) Phase (normal or inverted
LF & HF shelving filters (20Hz - 20kHz, +/- 10dB, Q 0.707)
Parametric EQ (5 bands, 20Hz - 20kHz, +/- 10dB)
User presets (3 + factory defaults)
Latency : 2.4mS
Amplifier Power per Channel:
LF 2 x 400Wrms
MF 1 x 400Wrms
HF 1 x 400Wrms
Mains : 100 - 240VAC auto-switching, 50-60Hz (IEC C14)
Power consumption (idle) : 50W
Power consumption (max) : 1500W
Dimensions:

H 400mm (15.7”)

W 430mm (16.9”)

D 372mm (14.6”)

Weight: 21.3kg (47lbs) each
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available finish
"I barely got them today and I am already blown away and they are not even broken in yet. Lovely product. "
Mr W, Gilbert
"My 6-2’s are spectacular and give me depth and precision like few others, especially for its size and price. "
Mr A, Glendale
"Absolutely love PMCs nothing bad to say whatsoever. "
Mr A, Sherman Oaks
"They sound unreal.. I can’t imagine a better monitor for my situation. "
Mr J, Studio City
"I’m swimming in the sound! They are very detailed while still being fun to listen to. The front to back depth is great, very immersive, almost romantic while still being very natural to work on. "
Mr S, BROOKLYN
"My PMC 6-2’s just disappear when I’m listening to or mixing on them. I think that’s the biggest compliment you can give a set of studio monitors. "
Mr C, Nashville

Awards & Reviews

"They are just so good!"
Jan '24
Read Review

Customer Reviews

"I barely got them today and I am already blown away and they are not even broken in yet. Lovely product. "
Mr W, Gilbert
"My 6-2’s are spectacular and give me depth and precision like few others, especially for its size and price. "
Mr A, Glendale
"Absolutely love PMCs nothing bad to say whatsoever. "
Mr A, Sherman Oaks
"They sound unreal.. I can’t imagine a better monitor for my situation. "
Mr J, Studio City
"I’m swimming in the sound! They are very detailed while still being fun to listen to. The front to back depth is great, very immersive, almost romantic while still being very natural to work on. "
Mr S, BROOKLYN
"My PMC 6-2’s just disappear when I’m listening to or mixing on them. I think that’s the biggest compliment you can give a set of studio monitors. "
Mr C, Nashville

OPTIONS & UPGRADES

upgrade
The PMC8-2 SUB is a larger subwoofer for full-bandwidth, high-resolution reference monitoring in the most demanding professional environments.
Add a Sub
upgrade
Adding a PMC8-2 SUB unit to a PMC6-2 monitor easily reconfigures them as PMC’s renowned and flexible twin-cabinet format XBD monitor system.
Extend to XBD
Watch

Sean D

On the PMC6-2

Ryan Hewitt

Producer, engineer on mixing & monitors

LUKE SOLOMON

Producer And DJ - Introduction to music

Greg Wells

PRODUCER, SONGWRITER, PRODUCER on the PMC6-2

Teezio

MIX ENGINEER & PRODUCER ON THE PMC6-2

Dror Mohar

ENGINEER, SOUND DESIGNER, MIXER

THE SOUNDALIGN INTERFACE

TAKE CONTROL

SOUNDALIGN digital interface
soundalign devices
The SoundAlign™ web interface is a simple and intuitive means of controlling and configuring our nearfield and midfield active monitors and subwoofers. Each monitor incorporates an internal web server accessible over a standard wired Ethernet connection using a web browser on any smartphone, tablet, PC, or Mac. It makes set-up easy, whether it’s stereo or the most complex immersive system.
ABOUT SOUNDALIGN
One of the keys to our legendary natural, uncoloured sound is our Advanced Transmission Line (ATL) bass-loading. ATL uses energy generated by the bass unit in a much more intelligent and efficient way than speaker designs based on ported or sealed boxes. Our Laminair airflow technology further enhances ATL and improves definition, timing and eradicates unwanted air noise.
ABOUT ATL & LAMINAIR
PMC 6 ATL Cutaway
Conventional monitors have narrow dispersion which restricts the width of the accurate listening area
standard dispersion
PMC monitors have wide dispersion to provide accurate sound across the widest possible listening area
PMC wide dispersion

WIDE DISPERSION

All PMC monitors have ultra-wide dispersion and a linear off-axis response. This creates a vast sweet spot for stereo and a seamless sound field for immersive formats, allowing sounds to be placed and adjusted with complete precision.

OUR STUDIO FAMILY